Showing posts with label Sparacus is a hack. Show all posts
Showing posts with label Sparacus is a hack. Show all posts

Wednesday, March 21, 2012

FFS Spara!

Yes, it's that time again as the Fish Emperor passes judgement on the casting decisions of Steven Moffat. Above, you see Jenna-Louise Coleman, who has just been cast as the non-terrestrial replacement companion for the Ponds following a nasty incident with some statues that always cover their eyes for some obscure reason.

What would sparacus say?

NOTE: This was literally just seconds after the announcement was made.

Awful. Just awful. Another generic young female companion. How much original inventive, creative thought has gone into this decision? Its just a pretty young female face to bung on the front of the DVDs.

And yes that is what he said, I didn't just type that off the top of my head while doing a strange Adrian Edmonsen voice.

Still, at least we can be glad Moffat chose an up-and-coming star rather than a washed-out failed actor/singer/politician with a criminal record, eating dissorder and online hatedom who personally can't stand Doctor Who... hah, seriously, I don't think Monsieur Rickitt is actually a bad actor, it's just that sparacus has made me despise him along with Rickitt and Hannah Murray...

But, seriously, how much original inventive and creative thought went to casting Ben Chatham? He just wanted a smoothe chest to lick honey off!

The new companion should differ from the last one.

Ooh, since when? I refer the honorable gentlemen to Vicki, Steven, Dodo, Liz, Nyssa, Turlough, Martha, Donna - so different from Susan, Ian, Vicki, Zoe, Romana, Adric, Rose and, um, Martha as long as you work entirely on the superficial statement of age and gender. The fact Ms Coleman is NOT playing a disturbed psychotic Scottish stripper or her schizophrenic big-nosed husband must surely count in her favor! Even though she is a tanned brunette midget and Karen Gillan is an alablaster redhead who was so tall they had to redesign the bloody Daleks because she made them look tiny?

Surely?

You may as well have casting by computer for all the originality of thought that goes into it. Just type in 'young', 'female', 'feisty' and 'pretty face' and there you go. Boring boring boring.

And it's not like Moff hasn't betrayed spara before, isn't it? What with him casting that ghastly specimen known as Matt Smith who absolutely no one in the entire world liked?

And everyone remembers the sheer shitstorm spara let off when Catherine Tate was cast, playing the same character he publically commented was the only decent companion of NuWhu! (Yes, I convinced him of that using logic and reason, and remind me of that if ever I dare say spara is worse than KMMK the wanker god of retroztv boards).

So much for the 'completely different' companion Moffat promised. Within fan fiction there are companions who are young male archaeologists and Thai Ladyboys. Wheras on the BBC its all young female & feisty with only Donna Noble being slightly outside the mould.

a) See, I told you he liked Donna!
b) That's his fan fiction - and his latest story really IS humiliating for poor BC who is now deemed SO pathetic that the Doctor refuses to help him, forcing him to turn to aforementioned Thai LadyBoy and Ian Levine to save his smoothe bacon



c) It's so sad that an eminent whovianologist can't remember Captain Jack, Adam, Mr. Copper, Jackson Lake, Wilf, Rory, Craig or Canton Delaware Everret III

You are counting the support characters as full companions. Only Rose, Martha, Donna & Amy are full companions. ALL female.

Eh?! Rory, Jack and Wilf got their mofoing names in the credits!

Harry Sullivan, Turlough, Adric? The classic series companions were more varied.

Yes, a total moron the Doctor screamed abuse at, and two alien youths with parental abandonment issues who were pathologically unreliable. That's three companions over a period of NINE years and a wide spread of female totty in between...

Still, how about the revelation thatMoffat chose her because she was the first human being known that Matt Smith can't overload on sight?

Awful. So she got the part because she talks fast. Babble babble babble like a ditzy schoolgirl.

And the fact she's a Who fan and an admirer of both Kazza Gillan and Billie Piper?

And her taste in companions is as predictable as it gets.

So, the fact she's a talented actress with an impressive CV and natural rapport with the star, not to mention the executive producer and head writer's first choice who is making an enthusiastic commitment to show isn't a good thing?

She has got the part because she has a pretty face to put on the merchandise and can act in an overly fast childish way - keeping up with Matt Smith's faux 'eccentric' running around.

Sheesh. You still haven't forgiven him for being heterosexual, have you?

No matter what spin the production team try to put on this we all know that this girl has been given the role because she is pretty, young & female. There is nothing wrong with any of these things its just that what is needed is something DIFFERENT!!! Bored bored bored bored bored.

Repeating the word "bored" three times doesn't win an argument, does it?

A 'fast paced' actor/actress who turns a scene quickly is not necessarily a good one. What about depth?

Did you even try looking at her showreels on youtube? It's not as if they aren't the trendiest thing on the internet today...

I have become increasingly bored stiff with Moffat era Doctor Who. Series 6 is the first one I haven't bought. Even with the RTD stuff, which I often disliked, I could find something of interest in the seasons. But Moffat era who is dreary and predictable. Apart from 'The Impossible Astronaut'. The whole Riversong business was like watching paint dry and casting generic pretty feisty girls over & over doesn't help. Karen Gillan was an average actress who mumbled her lines for most of series 5.

So apart from the main story arc of the entire series, you didn't like it. Even though you admit Karen Gillan was better this time around. And how can you be "increasingly" bored stiff? You either are or are not. You getting enough sleep, Emperor?

My point is that this is yet another example of the tedious predictability that is market-driven Nuwho. Creativity? Pushing the bounderies? Forget them! As far as the companion goes the remit seems to be just cast some pretty girl with a cutesy cutesy face. If she can't act who cares as its only Doctor Who.

Remember the halcyon days of Jackie Lane, eh, lads? Given Doctor Who is 50 years old, of course it's going to seem predictable and the fact that the "bounderies" are being pushed with the first genuine alien companion who will, Moff promises, have a totally unique introduction ("no mere boy meets girl" apparently) you think spara might give a chance to an actress he refuses to even discuss. If only Jenna-Louise had a sex change...

I think that most fans would prefer one of my characters to be the new companion as it would be SOMETHING DIFFERENT.

Uncontested. It would also be an epoch-makingly horrid decision. I think Bill Pullman as Osward "I want to go to hell to rape little girls" Danes has more of a chance...

I can predict the character of this new companion:
Met the Doctor as a child. Now reunited with him as an adult (cue repetitive story arc). Works in a supermarket: young, feisty and aspirational. Has an everyman boyfriend and a doting mum. Father estranged in some way. Feisty. More feisty. Even more feisty.

Wow. You just nailed scraps of Amy and Rose together. What imagination.

So you'd rather
Met the Doctor as an adult. Now continually joins and departs the TARDIS for abusive relationship (ad nauseum). Sits on a couch all day getting drunk; bipolar, selfish and stupid. Has a string of gay-hating lovers and hypocritical parents. Drunk. More drunk. Takes recreational drugs and forces them onto school children.

The lack of a male companion is sexist casting? I'd say so. Look at the Nuwho companions: ALL female. Male characters Mickey & Rory are 'almost companions'. Only Captain Jack possibly qualifies but he was farmed out to a spin-off series.

"Farmed out"? This is "Freema sacked" all over again, isn't it?

I'll leave fellow GBers to point out he's being more sexist than any showrunner and note that sparacus has dismissed an actress and companion despite have no information whatsoever simply because she's a pretty girl. How can he damn Moffat for casting one? Both are totally superficial reactions. You don't even know her name!

It will be some silly pretty girl name like Poppy or Abby.

You mean a girl has a girl's name. What precisely would you prefer?

Lady Estella Ascott-Deville would be a better choice. Make her more upmarket.

Ah, so as long as she's a posh rich bitch and not a commoner you'll be happy?

Alas, the inevitable flamewars (spara was one of the vocal majority, naturally enough, who immediately stabbed passers-by to death at her casting), any further comments have been regrettably lost to eternity and the Worshipful and Ancient Mods of Gallifrey Base.

Disappointingly, Mad Larry the Pirate King refused to comment on her casting, preferring instead to tell everyone Jon Pertwee was a serial pedophile rapist. THAT WACKY GUY!


...

Well, I've fallen in love with her!

It you, the Soolin-substitute from Hot Gossip and the Tambourinist from the Dandy Warhols baby, we are gonna be good togetha!! DOWN, VERKOFF, DOWN!!!

Monday, October 3, 2011

Oh, for crying out loud...

Well, seen The Wedding of River Song.

...

THIS is Moffat's attempt to resolve story arcs and make things less complicated for the innocent newbie audiences? Bhudda in blender, I'd hate to see him go overboard on the continuity refs... I mean, seriously, didn't he get all of this out his system last year in The Big Bang? Or A Good Man Goes To War? Has he completely forgotten how to do a linear, self-contained episode? Has he some brain injury that NEEDS to write Pulp-Fiction-style sketch shows?

I mean, don't get me wrong, I was entertained... and amused... and punched the air when Madam Kavorian got her just desserts... but I am no longer impressed by this whole "trying to cram 12 episodes of plot into the pre-credit sequence". Is there no halfway point between this and Mark Gatiss' "drag every second out" approach?

(I did like Mark Gatiss getting a suitable reward for his crimes with Night Terrors though. I hope it hurt! A LOT!)

Please. No more alternate timelines based around catastrophic doomsday events that are hastily undone in a blizzard of cross-cuts and special effects (though I did like the fact the beach scene was how things SHOULD have unfolded rather than something to be retconned) and the last scene really was a head banger.

The Doctor says, basically, from now on it'll be like the old days when he was an unknown intruder rather than God In A Bowtie With The Universe On Speed Dial. And then he gets told of ANOTHER fucking story arc of doom he must inevitably face. Worse, absolutely nothing about the silence is explained - what the hell happened at the end of Vampires in Venice? Why did they try and blow up the TARDIS? HOW did River turn up at the wedding? And the idea she had a vortex manipulator during the Byzantium story is a bit dumb - why didn't she USE it, for example? And, seriously, the Question might not have been SO COMPLETELY obvious that the audience needed to be told what it was, but having Orac Mark 2 scream it over and over again in the final scene really achieve much? It sounds stupid and always has done if you ask me. And why was there that photo of Amy in the orphanage? Where were the Nazis from the series six trailer?

And just how many departure scenes have Rory and Amy had now? What, five or six? Even Rose only needed the two!

It's not QUITE reached the point where Doctor Who is just a string of Little Britian style skits playing the SAME SODDING PUNCHLINES OVER AND OVER AGAIN. But it is getting close and I am not in the slightest reassured that Moff has "big plans" about 2013's even-less-episodes-than-2009 budget-strapped saga.

ENOUGH OF THE FREAKING BIG IDEAS! GO FOR SOMETHING SMALLER FROM NOW ON!

I'd just like to say that I successfully predicted

- what the eyepatches were for
- how the Doctor survives being killed
- what the Question was
- what the Silents would say to Rory
- why Winston was confused
- what the Doctor was whispering in River's ear... well, at the time...
- whether Amy's gun was loaded
- who River killed
- the Daleks would get even more humiliated than the Cybermen in AGMGTW, and also have their colour schemes very quietly forgotten... I think. Could have been that colour from dust, I agree.
- that there was no way the ongoing story arc would be concluded.

So, in summary, much more enjoyable as a DVD box set than thirteen weeks of overlabored continuity (ironic, as the ratio of story arc to story was about the same as last years, just way less subtle and enjoyable).

Frankly, I think the Eleventh Doctor's getting a better deal here.

What does the Emperor have to say?

3/10. Mediocre, rambling and boring to watch.

(NOTE: he then reposted his Season 4 pitch about the horse-rustling Cyber-goons, the meddling monk, BOSS and yet another alien in Silbury Hill as a perfect example of what SHOULD have been in the episode.)

Anything from Mad Lary?

...

Just more homophobic abuse to everyone involved in Torchwood: Miracle Day and insistance that Chris Chibnall is nicking Mad Larry's ideas... despite the fact Chibnall hasn't been involved in Torchwood for three years now...

Nala Snevets?

What? "Silence will fall" is stolen from Terry Nation's "it's too quiet" cliches (AKA the Golden Age of British telefantasy)? And the subtext is that it's all based on your childhood when you spent many hours alone arguing with non-existent people about your deeper interpretation of events? I concede, your "yeah, well, I may not be a policeman but next door might be" argument follows the exact pattern as your "Olag Gan is a cat strangling rapist as long as you don't listen to absolutely everyone involved with the character" diatribe, so you might be onto something.

(blows out cheeks)

Same time next year lads?

--------------------------------------------------------------------------------

Last year the not-entirely-inaccurately-named Brilliant Book of Doctor Who was released onto the bookshelves with the psychic seed of the Dream Lord giving out a truly amazing list of unreliable spoilers for the oncoming series and so, out of mild boredom as I return to the discon parody guides, here they are...

The Doctor will be on trial - twice!
Well... he wasn't. Unless River and Dorium's lectures to him count.

Who controls the Light Sculptors?
No idea. Sounds like a better plot than Night Terrors. Which is probably why they're in The Sarah-Jane Adventures - too good for Gatiss!

You won't believe what's buried under Wembley Stadium
Because there's nothing there? Or is this another Quatermass homage?

Scared of the Eye in Space? You should be
Because unmade Troughton stories are classics, damn it! Be afraid - remember the Atraxi!

Take up thy sins and walk - slowly
Gibberish misquote from the bible. Unless it's the Headless Monk's motto or something.

"There won't be a pub quiz on Tuesday because there won't be a pub!"
Absolute bollocks. Possibly quoted from Men Behaving Badly.

Beau Geste is cool
A book by PC Wren and clearly a gag.

Bow Street Runners are cool
London's first professional police box and clearly a running gag.

Bromley-by-Bow is cool
A district of London and an over-milked gag.

4 August 1982 - Happy Birthday, Ma'am
The Queen's birthday. Maybe the Dream Lord's being a royal suck up? Be fair though, she is a true fan - the only BBC Controller she refuses to knight is Michael Grade - though that could equally be for what he did to the Goodies...

Some lies are too much for the psychic paper
In A Christmas Carol, the Doctor cannot get it to say he is a responsible adult.

"I won't take calls from THAT prime minister!"
Some kind of Margaret Thatcher gag, probably best edited out, like that speech in The Pandorica Opens when the Doctor shouts that Sontarans are all fags and he's not scared of nancy-boy poofs like them.

"Marc, where are you?"
Not in this series. He's a bit busy stuffing up Ace's farewell for Big Finish.

The only water in the forest is the river.
A quote from The Doctor's Wife and A Good Man Goes to War, explaining why Pond = River in other languages.

What awaits the TARDIS at the Zero Point?
Not a lot.

"12 years on and Rory's still terrified of Granny Grainer."
Not a clue. Cut dialogue probably best cut?

"I was lost in France"
Aren't we all? Another song - Bonny Tyler, this time.

"How could a fellow Gallifreyan stoop so low?"
An infamous false DWM quote from The Time Meddler, and just as genuine now. You could say it applies to Melody in LKH when she is a) technically a fellow Gallifreyan and b) stooping low.

Horror of Bangkok
Very amusing. Well, funnier than The Horror of Glam Rock, anyway.

"Give it up, Sueet Korn!"
...unless this has something to do with the Leadworth crop circle, I think Monsieur Dream Lord is extracting the wee wee by now.

Argonite? Here?
Thankfully, not even the current production team was demented to do a sequel to The Space Pirates. Though I think Dylan Moran would be a good Milo Clancey.

An ordinary block of flats
The setting of Night Terrors.

"If I saw them walking down the High Street what would I think?"
"I don't think you'd think anything at all, Amy."

A cut scene from Day of the Moon, maybe?

Find the Lady - before she finds you!
Madam Kavorian, AKA Eyepatch Lady. (And a gag on the find-the-lady card trick, if anyone cares).

"Margaret! Come back!"
Meh. No idea.

The Doctor defeats the Sahara Desert
Again, something far more interesting than Night Terrors.

Susannah's still alive!
A song by the Kinks, clearly meant to bewilder us into thinking the Doctor's granddaughter isn't a heap of dust in Kasterboros.

Mill Green on fire
Presumably some kind of insurance fraud by BBC Wales by setting fire to their own special effects department. Or a golf course. Or a restraurant the Green Mill which mysterious caught fire in 2008.

The Doctor will get married - twice
In A Christmas Carol and The Wedding of River Song, obviously. And technically The Doctor's Wife.

What are the dangers of Port Olveron?
No idea. Was that the name of the acid factory in Gangers?

502 but never 503
The time being frozen in TWORS.

Beware of the Kites
Alas, no sequel to Greatest Show in the Galaxy unfolded. This is a sign quite common at kite festivals, BTW.

"A pillar of salt, yes - but not because she looked back, looking back is good!"
Obviously Lot's Wife. What's this got to do with anything, I dunno, but it does sound like a bit of cut dilaogue about the Silents.

They'll have to get a new name for thanksgiving
Unless BBC America has a special Thanksgiving episode, I doubt it.

Pay attention - it's not really her
Amy is actually being a ganger for the first half-dozen eps.

Treading through the sand - on the one night they come back
No idea.

The Shuddering Brethren, they'll stick in your mind
Only if you listen to Round the Horne.

"I'm my own Doctor"
The Ganger Doc?

Octavian wasn't lying
Well, River killed the Doctor, a hero to many, so... yeah.

Mysterious Semblance at the Strand of Nightmares
A Tangerine Dream song with a pretentious title. Is Joshua Wynne behind this?

The bones of the TARDIS
A reference to the TARDIS graveyard in The Doctor's Wife, natch.

Monday, September 12, 2011

FFS Spara!

Yes, despite hopes he was killed in the chav riots earlier the year, the emperor is back showing his clear empathy once again...


Is Rory too emotional in the episode?

Towards the end of the story, Rory was crying and emotional. This was rather odd behaviour. Surely Rory would not be in too minds about it. Also Rory, as an heterosexual male, would not even consider saving the old haggard Amy when he has the nubile younger version at hand.


(The inevitable-bordering-on-ceremonial accusation of trolling.)

No. I come here to engage in discussion and analysis of Doctor Who episodes not to engage in trolling. The fact that some of my observations produce a mixed reaction is due to the wide variety of different kinds of people that post on this site.

(...bullshit.)

I am not trying to be deliberately controversial, just to tell it as it is. You'd have to scrape the whole world to find a straight man who would swap his young, attractive girlfriend for a middle aged past-its-best-before-date version.

(It is pointed out that this still counts as murder.)

It isn't nasty at all. This old Amy was a rather bitter woman. Why would the younger version of Amy want her older self hanging about? Rory would surely not want the hassle either.

(It is suggested the emperor is a bit touched in the head.)

This is news to me. I don't remember anything in previous episodes to suggest that Rory has aspergers.

(The suggestion is clarified until even spara understands it.)

Bizarre comment.

(It is pointed out that Rory is capable of more than blind lust.)

Rory clearly loves Amy yes. Because he finds her attractive as she is young and hot.

(Yet Rory has loved her when she wasn't young and hot.)

True, however he was also attracted to her. Would Rory have fallen for her had she looked like Olive in 'On the Buses'?

(What about their life-long love affair AS SHOWN ON SCREEN LESS THAN A MONTH AGO?!?)

True, however at that point in their lives they were just friends. This only turned to love later.

My original point is simply that it is hard to believe that Rory would have considered saving the old Amy above the young one as its not how lads behave. Look at Rod Stewart for example. He regularly trades in blonde wives/girlfriends for nubile younger versions.


(Rory isn't Rod Stewart.)

This may be the case however my point is that he fell in love with Amy as she is now ie young not some fifty-something verson of her.

(Excuse me, he's NOT Rod Stewart!)

My point about Rod Stewart is a valid one. I'm not suggesting that Rod represents all heterosexual males or even the average one. However there are a considerable number of blokes who admire men like him who have the wealth and success to upgrade their wives/partners to younger ones.

(What is it with you and Rod Stewart?!)

The point I am trying to make is not about Rod Stewart's appearance or music. Whatever you think about him the fact is that he represents what most straight blokes aspire to; success, money, cars and attractive young women. If you asked Rod to choose between a date with an ageing woman in her 60s or a blonde 25 year old he'd choose the latter.

(Who cares about Rod? We're talking about Rory!)

My point is that psychological studies have shown that blokes are much more motivated by a woman's looks. The average lad on a building site does not spend his time contemplating the true meaning of love. He likes football, watching 'Top Gear' and basically wants to bed as many women as possible.

(Rory is not Rod Stewart, not is he a lad on a building site.)

Rory is a straight guy. He does love Amy however the emotional way that he dealt with having to choose between her and an older version just seemed rather odd.

(What is wrong with you?!?!)

Rory's behaviour is not easy to understand in that he would obviously want to save his Amy ie the young one and would not agonise over the matter. His agonising is simply a symptom of over-emotionalism in Nuwho. The Brigadier would have told him to pull himself together in the classic series.

(The Brigadier is a soldier from the 1970s. Rory is a 21st century nurse.)

OK I accept that you make a valid point here ie that Rory working in a caring profession may have made him more sensitive and emotional or may just reflect these qualities that he already had. He's still a lad though.

(He's a 2000+ year old Roman soldier who has lost his daughter.)

OK, I'll give you another example: Ronnie Wood from the Rolling Stones.

(Do you stereotype homosexuals to this degree?)

I do not think in stereotypes. I've pointed out earlier in this thread that I'm not saying all blokes are the same, just that Rory should behave like a typical example. I accept that this may seem, on the surface, to be contradictory, but any psychologist will tell you the same.

(What? All men are dickheads so Rory should be too?)

I am not claiming that all men are "dickheads" as you term it. I am simply pointing out that straight men, on average, tend to be less open about their emotions than women. Rory clearly loves the young Amy and because he ended up saving her in the end he would be unlikely to be upset about the old Amy.




(Is this going to be another "DW Character Must Be Gay Because Heteroes Have No Self Control" thread like his one about every Doctor, Master, UNIT grunt and male companion?)

Rory isn't gay. Also I do not think he would want a three in a bed romp with both versions of Amy as I think he would find the experience disturbing and overwhelming.

(The Emperor's ignoring the clear evidence otherwise proves he's a "Freudian Test Case".)

Odd comment. I've never studied psychology so have no idea why I should be linked to Freud and his theories. I understand that his great- grandson runs a PR company and is friends with David Cameron and Jeremy Clarkson.

(You disgust me, you troll.)

I am not a troll. As I understand it an internet troll is a nasty person who sets out to provoke others into anger in order to derive some kind of pleasure. Wheras I promote lively intellectual analysis of Doctor Who episodes. On the same note, I noticed today that some chap has been jailed for trolling on the internet, which seems rather harsh although he was apparently posting some sick stuff.

(Thread locked.)

Yes, bitches, he's back.



Me? I liked it a lot more than Night Terrors, which my parents dubbed the worse thing since Mel began a screaming competition for Season 24...

Wednesday, May 11, 2011

Cultural Exchange Part 2

IF *SPARACUS* HAD WRITTEN THE YOUTH OF AUSTRALIA...

OK, it's time to start afresh and put Doctor Who/Ben Chatham fiction aside, and I will post this whole new sitcom which is intended as a post-modern satire which blends elements of farce with straightforward drama. It will feature an entirely new cast and involve them dealing with topical social problems.

Main characters:

Dave Restal: A tortured 17-year-old hoodie who works in a DVD shop. A disillusioned idealist struggling to accept his sexuality. Dave is slim and resembles "Doomwatch" star Robert Powell in his heyday.

Andrew Beeblebabbrox: Feisty 18-year-old twenty-something who lives in an immature fantasy world, takes drugs and works part-time as odd-job man at a toy store. He physically resembles Paul McGann when he played Peter Marwood in "Whitnail and I".

Nigel Verkoff: Aged around 19, a young and attractive reformed alcoholic with shoulder-length dyed hair and a muscular frame. Personable ex-musician and TV celebrity until a bitter ex outed him live on television. He is a big fan of 180s progressive star Kylie Minogue, embracing his Australian cultural heritage. He also likes singer-songwriters such as Rufus Wainwright and Teddy Thompson.

Evelyn Markson: Swiss-educated and daughter of famous oil magnate. She is attractive and businesslike. She is more mature than the others and strong without being shouty. Also she enjoys classical.


"A NEW DAWN"

Dave and Andrew are in their flat which is furnished in the style of a retro country house with wooden panelling and bookshelves. It is raining.

Dave: Oh, I simply can't take it any more, Drew. For years I've been attracted to women, but ever since my long-term parter Phoebe abandoned me for being boring, I just haven't found any girl to my tastes.

Andrew: *reading comic* Jeez Louise, cobba! You dun grousin yet? Everyone can tell you're more bent than a wallaby giving a kangaroo it up the back passage!

Dave: Oh, why am I even talking to you? You're so uncouth, you don't even know how to play chess! All you do is sit around all day consuming illegal substances, or pretending to work at that sweatshop. How can you live with yourself?

Andrew: Look at you, cobba. Yer falling ta pieces. If you just took a bit of gunja now and again, you wouldn't be such an upright tight prick! No wonder Phoebe went to another billabong to dip her punani!

Dave: Oh, please, don't mention that harlot in my presence!

Andrew: *confused* You're the one what said her name first, mate.

Dave: Oh, stop bullying me, Drew. I know what you're saying, which makes a change given your appalling grasp of English.

Andrew: Good. Get me a beer from the fridge, ya nancy.

Dave: *does so* Oh, if only I could drink as much bitter beer as you do. It would end the pain. I can't hide it any more, Drew. I admit it. I do bat for the other side. I've been lying to myself all my life.

Andrew: *cracks open beer* Guess it's better than lying to real folk, eh? Ah, lighten up, ya woofter! It's bad enough you take it up the donger without haveing to be a ****ing wuss all the time.

Dave: Oh, but it's worse than that, Drew. It's not just men I crave... but one man in particular.

Andrew: That's very sweet of you, gay-boy, but I'll got all the action a true-blue Aussie could want. And they're all sheilas!

Dave: Oh, don't be so disgusting. It's not you I need... It's Nigel.

Andrew: *stares at him in shock* Cripes.

.................. to be continued.

OK folks, here is the next part of this script:


"A NEW DAWN" cnt'd.

Andrew: You'll never get to give Nigel it up the arse, you stupid ****. He's been totally celibate ever since his boyfriend outed him at the AFL. He's not had a root that didn't involve his right hand for years, if you know what I mean?

Dave: Oh, god, you're so vulgar. You're just like my parents, wanting to punish and humiliate me for the most natural of feelings!

Andrew: I thought your brother Doug was a pansy boy too.

Dave: Oh, but he's too ashamed to tell my parents. This county is so backward it refuses to accept other sexualities. A few political shortcuts and tokenism like the Mardis Gras, but queer-bashing is more popular than boomerangs down here.

Andrew: *farts*

Dave: Oh, no. Did you just drop one?

Andrew: Well, you've been talking crap for five minutes, it's only fair for me to join in, right, cobba?

Dave: Oh god! I hate you! You take a perverse pleasure in tormenting me.

Andrew: *sniggers* You're one ta talk about perverse pleasures!

Dave: Oh, why can't you be more tolerant?

Andrew: Yer right, Dave. I'm being totally unAustralian. Tell you what, I know, I'll help you and Nigel get it together - even if you do frighten the wombats when you're nobbing each other in spit roasts!

Dave: Oh, I suppose I should be grateful, but there are times I wonder why the state wasted thirteen years trying to educate you. Very well, what is this strategem of which you speak, Drew?

Andrew: It's well crafty, mate. See, we set it up so when Nigel comes back he finds you hanging from the ceiling, right, in a noose.

Dave: Oh, Drew, this does not sound a sensible course of activity.

Andrew: You haven't heard the whole brumby, nancy-boy. See, you leave a note saying "Oh, Nigel, I can't live another day without roggering you like a Patrick steveadore" or some puffy gay thing like that. So he sees the note, and he finds out how you feel about him without any stupid queer talk.

Dave: Oh, if you say so. There is a kind of crude elegance to it. But won't I choke to death in a noose.

Andrew: Nah, with the things you pooftahs put down your throats, I bet you can breathe underwater by now!

Dave: Oh, I suppose it's worth a try. *dreamily* Nigel will come in, his lucious locks gleaming against his gravy-coloured skin, and see me dying for our forbidden love. He'll rescue me, there'll be a whirlwind of guilt, of remorse, of self-loathing...

Andrew: And then you'll get out the dildos and the jelly. Score one for Andrew. Andrew the genius. No, Andrew the Super genius.

Dave: Oh, Andrew, if only you could turn down your addiction to drugs, you could be a useful member of the community. It's tragic to see you waste your talents.

Andrew: Dave?

Dave: Oh?

Andrew: When I want a girly poof like you to worry about me, I'll ask. No, wait, I won't. SUCKED IN, LOSER!

There is the sound of someone at the door.

Dave: Oh no, he's here! I can't wait another day, I must do it now!

Andrew: Ooh-er.

Dave: Oh no! Quick, get a noose!

Andrew throws a noose over a light fitting and puts it round Dave's neck, then lifts him up in the air. Dave gurgles and chokes. Andrew returns to the sofa and turns on the TV. Nigel and Eve arrive.

Nigel: *talking to Eve* I can't thank you enough, Eve, for driving me to the job centre. I finally feel like I'm recovered enough from my devastating experiences to reenter the work force. Did you know my ex killed himself last week? He hanged himself in his room. He even left a note saying how he couldn't live without me. If something like that happened again, I think I might not be able to cope!

Andrew: *to himself* Uh-oh.

........... to be continued.

Ok, here is the next part of this outline pitch script:

"A NEW DAWN" continued

Andrew tries to distract Nigel and Eve, stopping them noticing Dave hanging from the ceiling, starting to choke.

Nigel: I don't want to talk to you now, Andrew. My sensibilites have been offended enough.

Andrew: *guiding them into kitchen* Rough day, cobba?

Nigel: You wouldn't believe the trouble. I spent hours at center link. They aren't willing to allow me any more dole payments, even though I cannot possibly resume my media career, given the anti-gay conspiracy in television today. What do they want me to do? Camp it up and wear neck scarves, perpetrating the stereotype?

Andrew: I half wish I understood that and am half glad I didn't. Did all the dole people recognize you and want autographs?

Nigel: Quite so. The rigors of fame and anonymity. I just want to be myself, which is why I live in this substandard housing apartment with you. For all your vulgarity and debouchedness, Andrew, at least you treat me like a human being.

Andrew: Stop trying to flirt, ya queer!

Nigel: I'm not prepared to rise to it, Andrew.

Andrew: That's what all the girls say!

*canned laughter*

Nigel: ...what was that?

Andrew: *holds up phone* I thought my life could do with a laughter track.

Nigel: It would function at a higher quality with a volume control.

Andrew presses a button on his phone.

*ba-dum-tish!*

Andrew: You can easily get a job, though, Nigel. Sure-fire thing, just go to one of those topless dancing places for other perverts. You get your kinky thrills AND you get paid. It works for my bitches, doesn't it?

Nigel: You are the eptiome of pathetic are you not? The only reason you aren't running a child brothel is because you lack the educational standards - and don't come the straight one with me. I know SOMEONE is using gay pornography in this house when I'm not here, and it's not me.

Andrew: It's probably Eve. She looks like she could use a good seeingto.

Nigel: Don't be smutty. Who else in this flat would enjoy my erotica collection?

Andrew: *blinks* Cor, that reminds me! Scuse me, mates, got to see a bloke about a joke.

Nigel: A joke?

Andrew: Yeah. Gallows humor.

*canned laughter*

Nigel: How tiresome he is, is he not, Eve?

Andrew rushes into the living room and releases Dave from the noose.

Andrew: Luv a duck! The poof's not breathing! Good thing that skank in King's Cross showed me what to do if auto-erotic asphyxiation gets out of hand...

Andrew starts to give Dave the kiss of life. Nigel and Eve enter.

Nigel: I knew it.

Andrew: This isn't what it looks like!

......... to be continued.

OK folks, here is the next part of my script:

"NEW DAWN" continued.

Andrew, Dave and Nigel are sitting at the kitchen table as Eve makes them dinner.

Andrew: *to Eve* Hurry up, you stuck-up cow! I'm starving!

Nigel: That hunger is drug-induced! I bet you haven't done a thing to day apart from sexually molest poor David.

Dave: Oh, Nigel, I explained...

Nigel: Don't try and make excuses. Andrew is clearly that most detestable of sexual deviants, a sadio-masochistic rapist in denial at his own homosexuality.

Andrew: Bull****. I get girls between my legs every night. None of them can even walk straight after I've finished with them.

Dave: Oh, don't be disgusting!

Andrew: At least I'm doing it the way god intended instead of the sick **** you queers get up to. When you're not impaling each other's arses, it's all buckets of fish, druidic sacrifice, giant inflatable bananas while you hang upside down in leather restraints...

Nigel: You know nothing about the love gay men can have for each other.

Andrew: Like you do. Your Y-fronts have cobwebs on them.

Dave: Oh, please, this conversation is making me physically ill. And now they've cut off Nigel's benefit payments I'm the only one with a steady income. I doubt we could survive on the pittance Andrew gets even if he stopped hiring prostitutes and buying drugs.

Nigel: We're lucky. Most households have children to feed.

Andrew: No chance of any kids with you two woofters. Mind you, I bet if I got Eve preggers we could get some more cash out of social security.

Nigel: I trust you speak in jest.

Andrew: I trust you speak in bollocks, you dumb gob****.

Dave: Oh, no, he's getting angry again. You see where the path of vice leads?

Andrew: It leads to the ****ing munchies! Where's the food, ya stupid bitch?

Eve hands them plates of food.

Andrew: Stuck in a bedsit with two queers and a chick whose arse is so tight she needs an industrial spanner to sit down, listening to you two whine on and on about your feelings and how no men go down on you... JUST SHUT UP!

Nigel: You may hate us for our sexuality, Andrew.

Andrew: Yes. Yes I do.

Nigel: But you can't live without us. You squander your money on dope and ice and heroine, get easy pleasures from the working girls you haven't caught venereal diseases from, and then you come swanning in here and expect to have your dinner on the table. And I don't know why I do it.

Dave: Oh, and it's so kind of Eve to take the burden of responsibility off your noble shoulders, Nigel. After all, she is better off financially than the rest of us, through no fault of our own.

Andrew drinks another can of beer.

Nigel: Must you consume yet MORE alcohol tonight?

Andrew: It's to wash out the flavor of this gross muck. What is it?

Dave: Oh, honestly, Andrew. This is vegetarian quiche. Do you need a label?

Andrew: I need a stomach pump more like.

Dave: Oh, why don't you watch some television or something populist like that?

Andrew: That does it. I try and help you get your gay arse out of the closet and all I get is abuse. Right, you bunch of fairies can do what you like. My bitches await, and the sooner they get their soapy, fist-like ****s around my **** the better for all ****ing concerned!

Andrew storms out.

Nigel: He's in denial, David. I can tell he longs for you.

Dave: *weeps* Oh, Nigel. I don't long for him, though.

Andrew: I understand. I know what it's like to be obsessed over by those you find completely sexually unattractive. I remember when Channell 28 demanded I have a female sidekick for my current affairs discussion panel. The thought of her naked body, the curling hair, the sagging breasts... I threw up in my mouth, I really did.

Dave: Oh, how awful.

Nigel: Yes, it made that opening monologue rather indistinct, I can tell you. The complaints we got! People thought it was stage fright, that I couldn't act! The paparazzi hounded me, Dave! Even now they never leave me in peace! *sobbs* I'm not sure I can go on any more!

Nigel bursts into tears. Eve comforts him while Dave looks bitter and jealous..................


...................... to be continued.

Here is the next part of this gripping script:

"A NEW DAWN" continued.

It is now evening. Nigel sits on the couch, sipping some finest French wine as Eve massages his feet. Dave is texting on his phone.

Nigel: It's just a pity that television is so popularist nowadays. Where is the classical dramas of yesteryear? Thank goodness the national broadcast imports high quality drama from the BBC or else there would be nothing except philistines hunting crocodiles or eating bush tucker.

Dave: Oh? What's on next?

Nigel: A repeat of the Graham Norton show. High culture I doubt the masses appreciate.

Andrew enters with a gum-chewing redhead wearing a leather jacket over her unwear with numerous tatoos.

Andrew: G'day, sickos. This is Katy from King's Cross.

Dave: Oh dear. I presume she's a prostitute.

Andrew: Don't go all indefinite article, you puff. She is THE prostitute. What she can do with ping pong balls puts most professional jugglers to shame.

Katy: As long as, like, you don't mind the odd bit of furniture getting dented.

Nigel: Ugh. Drew, I will not have immoral happenings under this roof! We have a respectable image to maintain in Suburban Sydney. This isn't Redfern, you know!

Andrew: I'll have you know, we are very much in lust *coughs loud* I mean, love.

Katy: Yeah. By the way, like, I wanna get paid in advance, Drew, you ****.

Andrew: *hands over cash* Yeah, but less teeth this time, ho.

Nigel: That's an obscene amount of money!

Andrew: Right amount for the right job.

*canned laughter*

Katy: That is, like, so lame.

Nigel: For a low-quality slapper like yourself, you show remarkable good taste.

Katy: Dunno. Whatever.

Dave: Oh, Andrew, I can't believe you're wasting that much money on carnal desires!

Andrew: At least I'm getting some, unlike you two nerds from the planet virgin. Besides, I'm going to be rich any minute. *sits down* Good thing the TV's on, I've been looking forward to this for ages. The series final of Australian Idol.

Nigel: Hah! Australian IDLE more like!

Everyone stares at him.

Nigel: I really must circulate with higher quality of individuals. Anyway, Andrew, I'm watching Graham Norton.

Andrew: Oh, for crying out loud! This is approaching critical mass of gaylordism!

Katy: This is, like, a repeat anyway.

Nigel: It still has great cultural significance! Not that YOU would appreciate it.

Dave: Oh yes, it's our favorite program.

Andrew: Get married if you love each other so much.

Dave: Oh, if only. I'm surprised you endorse civil partnerships, Drew.

Andrew: I am more than you wankers think I am.

Nigel: It would be hard to be any less.

Andrew: Besides, with all the pooftahs married to each other, it leaves the chicks for REAL men like me, right Katy?

Katy: Whatever. Are we, like, gonna watch this thing or not?

Andrew: Yeah, go on, Nigel. She has got school in the morning.

Dave: Oh, what a damning indichtment of modern society.

Andrew takes the remote and flips the channel. Dave rushes over to the TV and manually flips it back. Andrew flips the channel, presses a button marked "REMOTE ONLY" and then stuffs it down Katy's bra.

Andrew: None of you wooftahs will reach in there in case you turn straight. Guess we're stuck with Australian Idol for the rest of the night.

Nigel: I do not have to sit here and watch this lowest-common-denominator filth!

Katy: **** off then.

Nigel: Fine! I shall! I shall go to my ****ing-off place, free from common harlots who have had more backstreet abortions than sensible vegetarian meals. Come on, David, let's leave this scum to wallow in its own filth.

Dave: Oh, yes please.

Nigel storms off to another room. Dave skips after him.

Nigel: You too Eve!

Eve follows. In the next room, Nigel broods over a dart board.

Dave: Oh, Nigel, I... I know it's hard to believe, Nigel, but I'm a very lonely person.

Nigel: Nonsense. You just need to find the right girl, someone who looks good on your arm, who your parents will accept. Do you know how many girls there are in the world?

Dave: Oh, Three point five billion. And do you know how many I've been intimate with?

Nigel: No.

Dave: Oh... None. Not even that hussy Phoebe.

Nigel: Statistically that's really quite impressive, isn't it?

Dave: Oh, no, you see, Nigel, what I'm saying is...

Nigel: You know, David, I was born in the wrong place at the wrong time, you see. 21st Century Australia, a backward hole of degenerate convicts ruled by some ineffective Welsh tart who only seized power by backstabbing her far superior leader. No, that Rudd woman isn't a patch on Queen Elizabeth. Either of them. You know, I'd be better suited to the Shakespearan era, the seventeenth century, a time of passion and creativity unlike the vapid celebrity-obsessed yoof culture of today. I'm just too good for this vile world. Eve, pour me some absinthe.

Dave: Oh? Absinthe? Isn't that the drink that makes you want to kill yourself?

Nigel: I know you were poorly educated, David, but try not to let the common insularity affect your perceptions.

Eve pours them fizzy green drinks.

Nigel: They say Telouse Lautrec used to drink this.

Dave: Oh?

Nigel: Yes, apparently it made him go blind. Pah, lightweight.

They drink. The effect is instantaneous.

Nigel: Dammit, David, why don't we have regular lovers? Why haven't you got a girlfriend, Dave? You'd look great with a girlfriend.

Oh, never had one. Never will.

Nigel: Maybe you're the new Messiah.

Oh, yeah! Maybe that's it!

A long pause.

Dave: Yo! Pretty boytoys around the world,
Got a weird thing to show you
So tell all the boys and men.
Tell your brother, your cousin, and your father too!
'Cause we're about to throw down
And you'll know just what to do!

Nigel: Wave your hands in the air
Like you don't care!
Glide by the people
As they start to look and stare.

Dave: Ah word up!
Everybody say,
When you hear the call,
You've got to get it underway.

Nigel: Word up!
It's the code word,
No matter where you say it
You'll know that you'll be heard.

Dave: Now all you useless heteroes who think your fly,
There's got to be a reason and we know the reason why.

Nigel: You try to put on those airs and act real cool!
But ya got to realize that you're acting like fools!

Dave: Give us music, we can use it! Be free to shag.

Nigel: We don't have the time for psychological romance.

Dave: No romance, no romance, no romance for me!

Nigel: C'mon hunky baby, tell me what's the word?

Both: Ah word up!

They slump back in their chairs. In the main room, Andrew and Katy are enjoying a bit of sex on the sofa.

Katy: Oh yes, yes, faster..... YES - give it to me!

Andrew: Stop moaning while I'm giving you one, you dim tart!

Katy: Like, Drew.

Andrew: Don't call me that, you daft bint.

Katy: Whatever. What should I call you then, like?

Andrew: Something subtle, understated, yet with a certain earthy dignity.

Katy: *thinks* Hmmm. "Lieutenant Sex Machine, Homicide?"

Andrew: Yep. That'll do.

Katy: So, Lieuitenant, like, why are you so desperate to watch Australian, like, Idole?

Andrew: Because I nicked Nigel's credit card put all his money on who would win. That way, if I lose, Nigel's the one who's poor and if I win I get to keep the money on little luxuries like you and the weed.

Katy: *shocked* That is well minging, like, officer.

Andrew: I don't pay you to care about my loveable hijinks, bimbo. You're only here because - me balls are like rocks! Now keep wriggling...

.........to be continued.

OK folks, here is the penultimate part of this successful satirical sitcom:

"A NEW DAWN"

Andrew and Katy are having sex on the sofa.

Katy: mmmm ooohhhh mmmm yes, like - ah deeper thrusts .. mmmmm, whatever.

Andrew: Cor, girl, I can do without the running DVD commentary!

Nigel storms in.

Nigel: Andrew! What is the meaning of this?!

Andrew: What do I look like? A ****ing dictionary?

Nigel: You stole my credit card and put all the money on who would win some ghastly talent show for the educationally subnormal!

Andrew: Who says?

Nigel: Eve told me!

Andrew: Oh, that mouthy tart! She never shuts up!

Dave: Oh, Andrew, to compound it all you're not only playing merry hell with our financial security, you're soiling the sofa with that whore's juices!

Andrew: Do I preech at you when you're giving it to Nigel up the arse?

Nigel: Tch. More queer bashing. I'll have you know I have never had sex with Dave.

Dave: Oh, um, Nigel, about that...

Nigel: I demand you remove the bet you placed!

Andrew: No.

Beat.

Nigel: OK, I find myself out of options. Eve, call the police!

Katy: *worried* You can't arrest me, I've, like, got the school certificate to revise for!

Dave: Oh, I'm sure the Depertment of Education won't even miss you, since you're clearly so stupid you can't even spell your own name!

Katy: Oi, at least I don't start every sentence with "Oh"!

COLLECTIVE GASP

Dave: Oh, I do not.

Andrew: Much as I want to get back to this interrupted ****ing, I have to say, she's got you over a barrel there.

Dave: Oh, Andrew...

Nigel: The backward troglodyte is right, David. It is a most annoying verbal tic.

Dave: Oh, what verbal tic? *twigs* Oh no! Oh, I can't stop!

Andrew: I weep with sympathy. Now can you let me get back to ****ing this harlot? The only reason she doesn't charge by the hour is that she's rubbish at long multiplication!

Nigel: Well, I suppose there's nothing to do except watch as you put all my life savings down the drain, since it is obvious that you can't pick a winner if your so-called life depended on it.

Nigel and Dave sit down on the sofa next to Andrew and Katy.

Andrew: I AM TRYING TO GET LAID HERE!!

Katy: *twists around* I want to watch too, like.

Andrew: GIMME A ****ING BREAK!

Nigel: Which contestant did you bet my hard-earned money on, Drew?

Andrew: Oh, I dunno. Alistair something.

Nigel: Not Alistair Jennings!

Andrew: Maybe, does it matter?

Dave: Oh, Andrew, didn't you realize - Alistair Jennings was the ex-boyfriend who outed Nigel on TV all those years ago!

COLLECTIVE GASP

Andrew: I still don't care, though...

............... to be continued.

OK, here it is. The final gripping scene in this major new stage sitocm:

"NEW DAWN"

Nigel: Andrew, I can't believe you put my money on someone who deserves to lose!

Andrew: Stop yer moaning, poof! Of course he deserves to lose, which is why I got odds of a thousand to one - so if he wins I stand to make ten million dollars, fair dinkum! Just imagine how much pot I could smoke and how many hookers I could hire!

Katy: *upset* Aint I good enough for you, like?

Andrew: I don't pay you to talk, bimbo.

Announcer: "In second place, number twelve, Amelia Lockhart."

Dave: Oh, Nigel, she's the favorite! We're in with a chance!

Nigel: This is the ultimate humiliation! Either way, I lose! Betrayed by my love yet again, the pain sears me with its injustice.

Announcer: "And this year's winner of Asutralian Idol is.."

Andrew: Here it comes!

Katy: Oo-eer.

Announcer: "..Number seven, Susannah Lewis."

Dave: Oh, I don't believe it!

Andrew: *drug-fueled anger* it's a fix!

He throws a bong through the television, which explodes.

Andrew: Someone get me the TV station on the phone! I wanna complain in the strongest possible terms! They made me break the TV!

Katy: *confused* So, like, did we win?

Nigel: Stop talking you vacuous prostitute!

Andrew: Will you two go off and bugger each other while I get me oats?

Dave: Oh, no, we've lost everything thank to you!

Andrew: Ahahah. That's the clever bit. I never actually put the bet on. All my dealers were after cash, so I gave them your credit card and spent what was left over on that dull-witted slut. I just said I did so that you'd insist we watch Australian Idol.

Nigel: Well, the joke is on you, Andrew. That was just my expenses account. I still have plenty of money and I intend to use some of it to sue you for deformation of character, and get you cleaned up and on a work for the dole scheme. It's time you made some kind of positive contribution to this household.

Dave: Oh, hang on. That means that you've been keeping money back from us! Oh, Nigel, I thought I could trust you and you've just gone and betrayed us.

Nigel: Don't be so ****ing immature, David!

Andrew: That's pooftahs for you. You can trust them to root properly, let alone anything else. It looks like we're all stuck in the same kayak we were this morning.

Katy: *shocked* Like, bugger me sideways.

Andrew: *flirty smile* I thought you'd never ask.

Everyone laughs. Nigel ruffles Dave's hair.

THE END!

Wednesday, November 3, 2010

Fact of Fiction 8: Stangeness (sic)

"Look Ben you really need to sort yourself out!!" The Youth of Australia reluctantly returns to one of the most infamous and offensive adventures Ben Chatham ever had...



Stangeness (sic)

Stangeness is without doubt the worst Chathamverse story ever.

Ever.

True, there are stories that commit worse crimes. Its fractured and incoherent plot is logical compared to Aliens in the Orchid House, Spartha Jones isn't half as horrible as she was in Death in the Cloisters, there was a dumber attempt at a sequel in Day of the Xiaxian, far more offensive racial stereotypes in Chateau of DEATH, a cheaper cop-out ending in New Morning, and more blatant Ben shipping in The Operation: Delta Interviews. Yet, Stangeness commits every last one of this crimes, without respite or innovation. In sheer quanity rather than quality, there seems no escape as every possible half-thought out cliche is jammed in without rhyme or reason. The plot is full of dead ends, meaningless cutaways and a palpable lack of enthusiasm that's worse than any plot hole or spelling mistake. Sparacus actually admitted that he hadn't watched The War Machines, the story Stangeness is supposed to be a sequel to. The blatant attempts to reconcile the plots are word for word taken from sparacus' own attempts to justify such hideous and blatant mistakes.

Stangeness is one of the lowest ebbs in the Chathamverse, bereft of the deranged passion that even dross like Doppelganger possessed. The repeated attempts to drag the Tenth Doctor and Martha into the plot was a tacit admission that Ben Chatham's spin-off adventures simply were not enough to survive on their own, with no attempt to keep on Ben's entourage of characters and even trying to write out Katie. It was no surprise at all when sparacus triggered the First Great Canon Reset in a desperate (and successful) attempt to kick life into the franchise again. The only tragedy is he did it in the middle of the next story, a far more interesting and orginal tale than this worthless and irredeemable garbage.

The very title shows how much thought and effort went into this waste of webspace, a tale the author should be truly ashamed of.


PART ONE

  • Stangeness? Surely we mean "Strangeness", right? No, this curious title is no simple mispelling. Sparacus seems to be trying to write "Stange Ness", ala "Loch Ness", showing a lack of any knowledge about Scottish place names or the logic behind them.

Ben drives to Stangeness, a small Scottish fishing village, intending to meet up with his uncle Henry. Katie tags along, intending to visit a seahenge monument discovered on the nearby Western coast.

  • In a heavy info dump introduction we learn plenty of new facts - Ben has a new flat in Cambridge he's sharing with Katie (no obvious reason why he moved, unless the fact it kept being the heart of crime scenes put him off), and his hitherto unmentioned uncle has lived for twenty years in an estate just off "a retreat for the smaller gentry in the late nineteenth century and there is a charming mix of colourful old locals and English ex-pats" (rather a severe description for moving to Scotland...). We also discover Ben refused to rejoin the TARDIS crew, even though Rose was gone, and believes that the Doctor and Martha "need some time on their own". Following from the end of Death in the Cloisters, the duo have gone on vacation in Crete as planned.
  • Bizarelly, Stageness picks up directly after Cloisters - seemingly ignoring the quadrilogy of holiday specials between the two (for the record it was Witchbone, Firestarter, Crimebuster and Dark Yuletide). Yet, these stories cannot have occured anywhere else, especially as they explain what happened to Charles, Jake, Operation: Delta and also why Ben and Katie are halfway able to put up with each other. This whacking great flaw seems to be the first hint of the massive retcon that will occur in two stories time, rendering everything prior to The Fields of Death null and void...
  • Bizarrely, after this lengthy introduction, we go straight to Ben and Katie discussing exactly what was in the introduction!

Caught in storm weather, Ben's car goes off the road and into a ditch, forcing them to walk the rest of the way in the rain.

  • Inconsistency over inconsistency! Ben deliberately chose to drive to Scotland over taking the TARDIS, but suddenly finds the whole thing a chore, his car a piece of crap and doesn't have any kind of raincoat or umbrella when going to a part of the world he regularly visits and knows full well is often subject to rainstorms! Is all that absinthe starting to rot his brain? His mood swings (violent even by his own standards) and random memory loss suggest it might be - the next story, the unfinished Harvest of Evil, actually has Ben's mental state questioned more than once...
  • "Damn this car!" Ben says of his vehicle that has served him faithfully since Operation: Delta. He seemingly abandons this car and gets a new one in Harvest of Evil, an antique roadster which is defined as the Chathamobile in The Zranti Beast comic strip (registration 1DGREE).
  • For those who care, Ben listens to Kraftwerk’s Trans-Europe Express playing on the car stereo.

Katie and Ben make their way down the road through the rain.

  • Katie's curiously positive outlook and sensitivity is explained in the epilogue to Deadly Yuletide where Ben, having been dumped by Jake Simmonds, returns to her on New Year's Eve and sleeps with her. Katie is convinced Ben is in love with her, rather than simply Ben needing some quick sex and considering Katie "looks good on his arm". Presumably she later discovers this betrayal, hence her incredibly foul behavior hereafter. Assuming, of course, any of this was canon...
  • "This jacket cost £700," Ben fumes. This one-off comment became a recurring character trait for Ben to wear ridiculously expensive and impractical clothing - given his profession involves working in muddy ditches, and his lifestyle means fighting aliens and madmen in random locales, why oh why does he waste all his cash on such clothes? The answer is that, having got (so he believes) sole access to the family fortune, he intends to spend it... and woe betide any family member that gets in his way. Uncle Henry, therefore, should be very worried...

The duo pass a parked car with fogged up windows, and there is the sound of moaning within.

  • Katie sensibly deduces that a couple are having sex in the car, and Ben immediately wants "a little surreptitious peep". This voyeurism is thankfully a personality trait sparacus never kept. So Ben likes looking at heterosexuals having sex, does he? Is this some attempt to reassure Katie he is now "straight"? Or is it proof of Katie's later accusations that his "gayness" isn't as genuine as he claims?
    Katie notes, "Sounds like she’s getting a right seeing to as well up the you know where". This curiously informal language was because, at the time, sparacus had no real way to distinguish Katie from Spartha Jones, so whenever she was around Katie tended to become a meek, working-class damsel in distress. By the time of New Morning, however, Miss Ryan's staggering personality flaws were so strongly defined this was no longer necessary.

Ben discovers a man and a woman in the car, both of whom have been shot. The woman mumbles about "Stangeness Electronics" before dying.

  • In a typically sensitive portrayal of ethnic groups, the Scottish woman's dying word is "Oachhhhh."
  • When Katie tries to call for an ambulance, she gets no signal due to poor coverage in the area, leading Ben to shout "Numb nut!" at Katie - traditionally an insult reversed by Spartha Jones for the Doctor. Apparently Ben "told her before they came" about this factor, which hastily explains why Ben didn't ring for Uncle Henry to pick him up.
  • Ben earns his fan label of Captain Obvious as, no sooner have the stage directions indicate the couple have "both been shot", Ben tells Katie, "They've been shot." The moment the woman is described as dying, Chatham instantly reveals "She's dead!". Katie, for her part, innocently asks "How do you know?" Ben doesn't give the sensible answer of "I read the script" but deduces that the two people covered in blood with bullet holes in their necks might just be evidence. Mind you, that woman is very talkative for someone shot through the throat, isn't she?
  • Ben and Katie make no attempt at all to find out the identity of the murdered couple, or even return the man's corpse into the car for decency's sake. All they've achieved, therefore, is to contaminate a crime scene.

Ben and Katie hurry down the road and enter a deserted pub, The Stag Inn. The unfriendly publican, Angus McGannon, is uninterested in the murders, and since the phone lines are down in the wind, Ben decides to have a drink instead.

  • These will be the "really friendly locals" Ben's on such good terms with? Given how unsurprised Angus is of the news, and how close his pub is to the murder scene, a suspicious person might think he had something to do with it and thus taking any drinks from a potential murderer would be a stupid move. But Ben and Katie want single malts and rum and coke more than they want to be alive, apparently.
  • Just to give a clear idea of the offensive stereotypes on offer, suffice it to say when Angus hears of two people shot dead his reaction is "Theres bin a muuuurrrrrrda ya say laddie?" and then change the subject to alcohol. For smeg's sake...

Angus warns them that flesh-eating beasts have been seen to emerge from Loch Crag on rainy nights and causing people to disappear.

  • Katie whispers to Ben that she thinks Angus is mad. Her very unhelpful and rude whispered asides will ultimately rival her alocholism as her dominant character trait until in The Operation: Delta Interviews she loses any hint of self control and gets a lecture from Ben, who actually has the moral highground for once.
  • A Scottish barman named Angus who knows all about hideous amphibuous monsters and urban legends of disappearances? Not a bit like Terror of the Zygons, then? Nice to know that sparacus is picking the creame of media to rip off when it comes to new and innovative plots and characterization.
  • So this thriving fishing village is just next to a lake no one fishes at? Give me strength...

Suddenly someone barges into the pub...

  • The old "someone's at the door" cliffhanger, a sure sign sparacus has got bored and wants to end the episode.

PART TWO
The intruder is Ben's Uncle Henry, come to the Stag Inn to collect crates of Scotch and finest French absinthe.

  • We learn, for some reason, that Henry isn't Ben's uncle. He's actually his "grandfather's brother". So he's Ben's Great Uncle. Why this distinction needed to be made is unclear. He's also apparently dressed as the Third Doctor and clearly based on Uncle Monty from Whitnail & I. Just why he needs to restock his cellar in the middle of the night at a pub five miles away from his place is rather odd, too. He also completely ignores Katie, even when she tries to make conversation with him. It seems misogyny also runs in the Chatham bloodline.
  • Henry's vintage car works fine, but more modern cars seem to break down with curious frequency in Stangeness according to Angus. Is someone or something causing this to happen, or is it some crappy horror movie cliche sparacus lacks the wit to subvert?

Uncle Henry gives the pair a lift to his place. On the way there they encounter a group of identical-looking bald figures in pyjamas standing in the rain, blocking the group. A few shouts from Henry cause them to flee.

  • Exactly who these odd folk were, or a reason for their behavior, is never given. Perhaps Henry's assumption they're locals on the piss is actually correct for once?
  • Ben intends to stay in Stangeness for a few weeks as he needs to "get away for a bit". Get away from what? Since Death in the Cloisters (where he lived as a monk for a few days), he's spent all his time lying around his flat doing absolutely nothing, then gone to his parent's place to do absolutely nothing, then moved flat. Is this his way of trying to get rid of Katie, who is "too clingy" like Rose before her? It seems Ben much prefers men who don't obsess over him over women that do...

The murder and the strange behavior of the group leads Ben to consider calling in the Doctor, but Katie (eager to have Ben all to himself) convinces him not to.

  • Ben has a "special contact device" to get in touch with the Doctor. Given that the new series established any super mobile would fulfill that function, sparacus is clearly still got his head jammed in Terror of the Zygons, where psionic beamers were used to send space-time telegraphs to the TARDIS. Given they somehow know where the Doctor is in Crete, and he's in the exact same time zone, why Ben would be carrying this gizmo with him on a trip to Scotland is unclear. Is he just waiting for Martha to leave the TARDIS so he can rejoin?

Arriving at Henry's house, they are introduced to his butler, a young village boy called Jamie.

  • Jamie is, in actual fact, the ONLY original character in the Chathamverse not to be Caucasian. Presumably a young Scot in a kilt isn't as much fetish fuel as a young black man in a kilt "showing off his shaply legs".
  • Ben orders Katie to drink absinthe, deeply annoyed at the fact she doesn't like it and calls her "finicky". Either Ben enjoys this sadistic abuse relationship he has with Katie, or he's deliberately being so unpleasant she'll leave him alone. Notably, Ben immediately decides to summon the Doctor the moment Katie makes it clear she would rather have a normal holiday with her boyfriend - and, what's more, hides this fact from Katie. Can you believe that no one is willing to stick around in a relationship with this superficial and decietful bully?

No sooner has Ben texted the Doctor, Katie sees a face at the window and screams.

  • Another pathetic cliffhanger, with all the readers convinced the resolution would be Ben pointing out that Katie is actually reacting to her own reflection. Mind you, having been forced a potent psychotic drink like pure absinthe, Katie could hardly be blamed for the odd hallucination...

PART THREE
Katie claims she saw one of the bald figures watching through the window, but Ben assumes she's simply overtired.

  • Why would one of the locals follow the trio the house and then pull faces through the window? If they meant any harm, why allow the group past them in the rain? We're left with absolutely no evidence that the face wasn't part of Katie's imagination.
  • Katie's insistance she "is not some kind of mental case" is ironic as the next story has her sent to an asylum.

The TARDIS materializes and the Doctor and Martha emerge in response to Ben's signal.

  • With Uncle Henry taken aback by a police box appearing out of thin air, Ben promises to "explain everything later". This was done with no irony whatsoever.
  • Not only does sparacus describe the time machine as a "Tardis", he also describes "the familiar vroom vroom noise". How can an avid DWM reader have forgotten the actual description is "vworp"?!?
  • Katie is delighted that the Doctor is present, seemingly having forgotten she wanted him to stay away. Presumably she's frightened from her absinthe-induced hallucinations and rightly guessed Ben is not going to lift a finger to keep her safe.

Ben explains the situation and Martha is far from impressed.

  • Spartha Jones makes her second appearance in the Chathamverse. Even though her point (this is a police matter hardly worth interrupting the Doctor and Martha) is entirely valid, one can't take her side. Given they have access to a time machine, they could easily have finished their vacation before replying to the message. Nevertheless, Ben's "adjusting" the truth somewhat, claiming that the place is "swarming" with strange men in white and there are "strange (not "stange"?) goings on" at the new electronics plant (which he just assumes is new, because it wasn't there the last time he visited). He even admits that this is merely "odd", as though he's just looking for an excuse to drag the Doctor and Martha into things. This obsession continues in Harvest of Evil, and following the reset, Ben goes the whole hog and rejoins the TARDIS. Clearly either sparacus or Ben has lost their faith in his ability to sort out even minor problems unaided...
  • Uncle Henry notes that the electronics plant (unnamed) was built two years previously, despite objections from the villagers. Um... why? Why build a factory in a coastal Scottish village if the output has no connection to the locale? Now, if it was some kind of processed fish factory, that would make sense, but electronics? In such a wet and miserable place in the middle of nowhere? If they want some kind of privacy, they've gone about it in a rather strange way, upsetting all the locals and not even bothering to get themselves their own name - surely a company called Stangeness Electronics would be homegrown? Yet all the workers are shipped in from Glasgow and they never actually produce any equipment. Financially, "stange" doesn't do this place justice. It should have bankrupted itself long before now.

The Doctor suggests they all retire for the evening.

  • Why? He's just been in Crete, so for he and Martha it should be the middle of the day! Just jump ahead six hours if you're worried! This delay will merely give the villains a chance to remove the bodies and the car, and all those chaps in white clothes to run around getting up to mischief. Notably when Martha raises these objections, the Doctor doesn't disagree, but urges her back to the TARDIS. Is he just pretending to be involved, giving him and Martha a change to slip away quietly without putting up with Ben's inevitable temper tantrum?
  • The Doctor knows of Uncle Henry's "porcelain (sic) collection from the William Beckford collection at Fonthill", apparently. This is interesting, given Ben never speaks of his family - or indeed of anyone bar himself and Bowie. One can only wonder how the hell that little factoid came up in natural conversation aboard the TARDIS, or why the rather forgetful Tenth Doctor would remember it...

Ben takes a bath and, wearing nought but a white towel, chats with Jamie about their mutual love of Bowie.

  • Note that Ben and Katie have rooms apiece. Henry's house seems to lose these rooms later in the story, forcing everyone to bunk up.
  • The in depth discussion of music consists entirely of "You like Bowie then?" "Och yeah , especially the early stuff." before Ben "finds himself deeply attracted to the lithe young Scotsman with his dark, mysterious eyes". That makes Ben able to commit to a long-term relationship for less than one story. Mind you, Katie's doing better than Genna Miles, at least...
  • So Ben and Jamie are flirting like mad. Is this some kind of porno version of Season 4 (which did, after all, feature companions of the same names sharing a bedroom which the Second Doctor described as "gay"...)? It could be a coincidence and sparacus' inability to come up with new names, but given his later claims that Polly was a slut banging her boss and bearing his child, maybe there IS some horrible agenda at work...

Jamie confides in Ben he is convinced the mysterious happenings in Stangeness only began when the electronics factory was built.

  • ...and this is has what to do with David Bowie, exactly? I mean, that's what you were talking about! Where's the segue?! Is Bowie behind the murders or something? After all, it wouldn't be the first time, as StarMan proved...

Katie enters and is annoyed to find her boyfriend "fraternising with the servants".

  • Understandably so, it must be said. She goes out of her way for Ben, moves in with him, accompanies him across the country... and he immediately tries to sneak up the kilt of the first fit bloke they come across. "I want to be your girlfriend - proper girlfriend and I think you secretly want it too," she pleads, only for Ben to want to talk about Jamie instead. Katie angrilly rants that Ben must sort himself out lest he become "a obvious sad old poof" - and the antisocial drunkard drooling over houseboys is exactly what Ben becomes as can be seen in The Operation: Delta Interviews.
  • Ben furiously shouts that Kate is not allowed to judge as she "knows nothing about him". Well, Ben, who's fault is that? You've been bonking her for months! And you haven't opened up to her in any way emotionally?
  • It's sinister in retrospect that shortly after she gives an ultimatum to Ben, Katie ends up declared insane and abandoned in a mental asylum, before Ben giving her up as dead...

There is a crash and a gunshot. Heading downstairs, Ben and Katie are taken prisoner by two gun-weilding men standing over the body of Uncle Henry dead.

  • Henry is not confirmed as dead for an episode or so, for some unaccountable reason.
  • These men with guns certainly aren't the bald pyjama-ed loonies wandering around the place. But why did they shoot Henry? And why are they happy to kill a man who has been in Stangeness for twenty years and thus a notable member of the community whose death would be noticed, but not kill Ben and Katie (two newcomers only met by the insane landlord Angus)? Furthermore, given their willingness to kill people in cold blood (without silencers) why are they worried about getting Ben to put some clothes on before kidnapping him?
  • A close relative of Ben Chatham, spending vast amounts of cash, suddenly dies shortly after Ben meets them. Given his treatment of his sister, and his apparent need for a new car, would Ben murder his great uncle to get his hands on the inheritance? The men with guns never say they were the ones to kill Henry, nor is it ever said he was shot. Given Ben's desire for more money and to get rid of a relative who has already embarrassed him (as Katie notes), is it impossible to think that once the Doctor, Martha and Katie were out of sight, he killed the old man, then went upstairs for a bath to destroy any evidence? Henry's bemoaning of living in such "vulgar moneygrabbing times" in front of Ben might be a fatal mistake. This begs the question of what the two goons were shooting at...

As Ben and Katie are dragged away, Jamie is revealed to have been hiding behind the curtains.

  • So, if they were shooting at Jamie, the plot to kill Uncle Henry suddenly makes horrible sense...

PART FOUR
The "flunkeys" drive Katie and Ben to Stangeness Electronics where they are greeted by suave-looking Simon Brett, an exhuberant loony.

  • It's hard not to visualize Brett as being played by Ken Dodd: "Welcome friends! I’m Simon Brett and I trust your journey here wasn’t too unpleasant!" "Yes it damn well was!" Katie retorts. "Oh come now dear Lady, I’m sure we can overcome the initial impressions and reach a sense of understanding!" Even Ben needs a double-take, helplessly asking "Are you for real?"
  • Brett notably is surprised at the accusation it was his men that killed Uncle Henry...

Brett explains that Stangeness Electronics is creating "new models" of human beings, but these are prone to making mistakes - such as their botched execution of two reporters that Ben stumbled across. He reveals that SE is actually run by WOTAN - a huge computer with screens showing cold Germanic features.

  • ...sigh. Yes. WOTAN (pronounced Vow-targn because otherwise the Wagner connection isn't so blindingly obvious). The Will-Operating Thought Anologue was a free-standing computer bank at the top of the Post Office Tower, an early attempt to create the Internet in 1966's C-Day in the William Hartnell story The War Machines. As predicted by four separate characters in the story before the end of the first episode, WOTAN decided to conquer the entire world and ignored any pesky things like logic and strategy. Having somehow got a nifty "brainwash humans" feature built in, WOTAN decided the best way to conquer the world was to prank-call various scientists, brainwash them over the phone, make them resign their jobs, go to a warehouse in Covent Garden and then build wannabe-Daleks entirely from scratch - inside 12 hours. Amazingly, WOTAN somehow managed it given the amazing inability to even speak coherent words. The real blinder was the computer thought the best time to pull this stunt was BEFORE it had been linked up to every single computer in Britain, while its servants were so stupid they had to be told not to murder passers by and dump their bodies directly outside the front door. Twice. Finally, it turned out that WOTAN's stupidity was catching as war machines either tried to kill everyone or just got bored and went to sleep. The Doctor decided he was completely bloody sick of this, prodded one war machine with a screwdriver and sent it up in a lift to the Post Office Tower where it promptly smashed WOTAN to pieces, killing as many innocent brainwashed victims as possible. And sparacus decided this story merited a sequel.
  • Except... he hadn't actually seen The War Machines. In fact, he had next to no idea what actually happened and instead is basing all his material on The Green Death - what a surprise... - as can be told by the incredibly camp and self aware behavior of a computer that likes being called "boss". Following the First Great Canon Reset, sparacus attempted to do this properly with a straight sequel. Thus, Cyborg featured the shocking truth that BOSS (not WOTAN) was the one running the sinister and mysterious chemical plants that were popping up in Middle England with the aide of the Time Meddler.

Back at the house, the Doctor and Martha discover Henry dead and the others missing.

  • A baffling goof as the Doctor and Martha "search the house for Ben and Martha". But not Katie or Jamie?
  • Martha is suddenly determined not to sleep in the TARDIS, obsessed with being polite and making use of "this big house full of rooms". She insists he is "a gentlemen", yet in the previous episode she dubbed him "half-baked" and wanted to get as far away from him as possible.

The Doctor and Martha decide to use the TARDIS to home in on Ben via the communicator he has.

  • The Doctor thinks it "fortunate" the TARDIS can do this, as if it is lucky a device specifically designed for the TARDIS to home in on it can actually do what it's supposed to! Any fortune should be that despite being held at gunpoint Ben was somehow able to collect the device without anyone noticing (yet didn't text "HELP ME" or anything during the long car journey there).
  • "At least you get some things right," Martha sneers. When, exactly, has he got anything wrong?

At Stangeness Electronics, WOTAN outlines its plans for world domination.

  • ...and here is when it all falls apart. The "first Professor Brett" (that's Simon Brett's father, not that Simon has actually been called a Professor) "designed a prototype" apparently. "What his father started out of curiosity the son continued out of love." Now, this is baffling given that Brett senior survived the events of The War Machines and would be the first to know how utterly dangerous WOTAN (which was not a prototype at all). Between Brett, Sir Charles and the British army, it beggars belief that anyone could build WOTAN II without suspecting it might just overthrow humanity... especially after the creation of BOSS by Global Chemicals in The Green Death.
  • There's also the question that of where Brett's son came from, given he's clearly a confirmed bachelor on screen. Sparacus fobbed this off as Brett having an affair with his secretary and Simon being the lovechild. Given that Brett's secretary was Polly Wright, companion of the First and Second Doctors (and manifestly niether had a lovechild during her time aboard the TARDIS and definitely had no interest in Brett), this epic fail of the whovianologist lead to him being "pwned" by all the readers and three weeks passing before the next installment.
  • WOTAN intends to become the "future government" because it is "perfectly rational" unlike organic and inefficient human beings. OK. But it wants to stop mankind polluting, fighting and over-populating by replacing them with "enhanced human augmented replacement units"? Why not just let mankind destroy itself? WOTAN I was determined that machines inherit the Earth, and since computers does not require clean air, water or such to survive, it could easily wipe out mankind altogether. Brett, after all, rants about wiping out the filth of humanity in the final episode. So why go to all the trouble of turning them into cyborgs? And if the MIBs are cyborgs... who are the bald loonies in pyjamas?!

WOTAN then hypnotizes Ben and Katie.

  • So... why go round shooting people if you can hypnotize them so easily? Surely those brainwashed reporters would be more useful alive and assuring their superiors that all is well than being bloody heaps in a broken down car? It's ironic the lines are down and no one can get a signal in Stangeness, because otherwise WOTAN could take control of everyone over the phone network... but that's probably a coincidence rather than any wit on the author's part.
  • Ben's chanting of "I will serve you, WOTAN!" is actually a clue that he's not actually hypnotized but only pretending. (Katie, who is hypnotized, stays silent). Exactly how Ben was able to effortlessly resist this brainwashing is unclear (the Doctor was barely able to manage it in The War Machines, and he's got the mind of a Time Lord!), but presumably the vast amount of absinthe he's imbibed, his brain no longer functions correctly enough to be taken over?

PART FIVE
At the house, the Doctor and Martha find Jamie and the corpse of Henry...

  • Another sign of the incipient retcon as the entire scene of the Doctor and Martha going to Ben's rescue is undone and rewritten. Instead of waffling on about being polite and sleeping in the bedrooms provided, the Doctor is determined to drink himself to sleep since "the night is young". Not only does sparacus repeatedly ignore the TV Doctor's dislike for alcohol, he also seems to ignore the fact that the TARDIS contains plenty of booze (as established in The Ark in Space). Are we to assume the Doctor has drunk it all? Well, he has been forced to endure Spartha Jones for weeks on end...
  • "Your behaviour is frankly irresponsible!" Martha complains of the Doctor drinking, odd given her own first story had her knocking back red wine and refusing to help out with a murder mystery. It doesn't stop her being right once again though.
  • More evidence Ben is a killer: when asked what happened to Uncle Henry, Jamie doesn't know - despite being in the room when the shot was fired. So clearly Henry was dead already...

Jamie explains Ben and Katie were kidnapped and taken to SE, so the trio head for the rescue in the TARDIS.

  • So, the whole plot of Ben having a little communication device was completely pointless then?

At SE, Ben and Katie are sent to work.

  • That "work" being to "move some large crates into the back of a lorry in the yard". So WOTAN doesn't have access to a fork-lift truck? Why get the humans to do the hard work when they're all inefficient and organic? So much for WOTAN's claims to be rational and logical...
  • "The people they are working with are clearly humans under WOTAN’s influence rather than cyborgs as they are plain in looks and some are obese." My god?! FAT PEOPLE?!? Who AREN'T beautiful?!?

Ben discovers to his horror that Katie is genuinely hypnotized and runs for it.

  • A touch of poetic justice as Katie gets her own back by humiliating and tormenting Ben instead of the other way round - pity she's not aware of it. Certainly her announcement of "You are disingenuous. You are an enemy." applies as much to their relationship as Ben simply turning against WOTAN.
  • The cyborgs with their augmented senses and machine guns prove no match for an unarmed alcoholic who runs past them, takes a long time climbing a fence, then gets tangled on the barbed wire and cut his hand open, before falling over the other side, staggering to his feet and limping off into the night. Were they just having much more fun looking at Ben's deeply pathetic gymnastics to stop him? Was that why WOTAN didn't simply electrify the fence?
  • Ben's "muscular arms rippling as the moonlight shimmers" - so where has the endless rainstorm and the Scotch mist gone? And did Ben take off his shirt just so he could shift some boxes?

Moments later, the TARDIS materializes inside the compound and the Doctor, Martha and Jamie emerge.

  • There's irony for you. If Ben had just kept his mouth shut he'd be rescued...
  • In The War Machines, WOTAN was sensitive enough to detect any unauthorized moment and sense the Doctor's brain. It fails to do either here.
  • "This is not a game. Ben and Katie could be dead for all we know," Martha chastizes the Doctor. "Right little beacon of hope aren’t you?" the Doctor retorts, finally snapping after thirteen episodes of the whinging bitch. Her response: "Grow up."
  • Martha berates the Doctor for not taking this rescue mission seriously, and then starts complaining about the clinical look of the building. "Its typical of such modern buildings. Its totally irresponsible of planners to allow such developments in the Scottish countryside!" Her obsession with architecture continues into the next episode, and seemingly becomes the Tenth Doctor's bugbear as well. Critiquing architecture is far more interesting than travelling in time and space in the Chathamverse.

On the run, Ben passes the shore of Loch Crag when suddenly two hideous scaly monsters rise out of the water and advance on him...

  • Again, sparacus seemed a lot more interested in remaking Terror of the Zygons than sequeling The War Machines.
  • Angus the landlord was certain these monsters only went on the prowl during rainstorms, but the weather is totally clear. Has Ben's "young flesh" (or maybe the gaping wound in his hand) attracted them?

PART SIX

  • For some unaccountable reason, this episode is done in sparacus usual prose style instead of the script style every other part of the story is written in.

Ben runs away from the monsters.

  • Despite being exhausted, drunk and losing a lot of blood, Ben is still as "swift as the greyhound".
  • So what are these blobby sea monsters that clearly have absolutely nothing to do with the plot at all? Well, in a moment of inexplicable insight, Ben "realises that they must be the results of Brett’s genetic experiments designed to augment the numan (sic) race combined with cybernetics". So an electronics firm conducts genetic experiments? What evidence are that these not-really-Zygons have any cybernetic implants? They can't even chase Ben without grunting and wheezing, so there are no augmentations to their lungs or limbs... it's clear that, like the bald folk, this a plot thread that sparacus couldn't care less about and resolved simply due to the high volume of reader complaints.

At SE, the TARDIS crew watch Katie and the other enslaved humans moving crates of humanoid robots onto a lorry.

  • Typically, the inefficient humans drop the crates, cracking them open and needing to repackaging it all over again. How very efficient...
  • Is this an electronics factory, firm or plant? Sparacus can't make his mind up.

The Doctor realizes androids are being built here to be distributed across the country as part of a takeover bid.

  • A clever deduction, especially given there was never any mention by WOTAN this was going to happen. It seems to be an attempt to copy The War Machines slightly closer than precious episodes, with the brainwashed servants building robotic death machines.

Jamie knocks Katie unconscious and they drag her back to the TARDIS.

  • “Well done that man!" the Doctor beams. Nothing like violence against women to cheer up characters in the Chathamverse.

Reaching a road, Ben catches a lift from Hamish Campbell, a friend of Ben's uncle.

  • Significantly, "Ben doesn’t have the heart to tell him that Harry is dead", even though saying "Stangeness Electronics murdered my uncle and we need to do something about it!" could possibly help him, especially with bald loonies and not-Zygons lumbering around the place. More proof he murdered his grandfather's brother.
  • “When the mist comes down across the loch things can happen round here. Strange, sinister things,” Hamish notes. Ben doesn't confirm this, even though that sort of information could be somewhat useful to the natives. Perhaps it was because there's no mist at all when the strange sinister things happened at the loch?
  • Hamish doesn't notice the fact his friend's great nephew was wandering around in the middle of the night, topless and bleeding. Ben also seems to have forgotten he's badly injured too.

Hamish drops Ben off at Henry's house, and cops a feel off the smoothe one.

  • God damn it! Is there anyone heterosexual in this village?!
  • Bizarrely Ben is "unnerved" at Hamish's advances, and doesn't have the bravery to tell the old lech to back off. Katie's argument that he's not as gay as he claims gets more and more credible, doesn't it?
  • Why doesn't Hamish go in to see Henry? They're good friends, after all, and surely the only reason that he's in the area this late at night is to enjoy the intake of booze Uncle Henry went to so much trouble to collect at the start of the story.

Ben enters the house, just as the TARDIS arrives with the Doctor, Martha, Jamie and the brainwashed Katie.

  • Hah! Ben's bad luck continues - surely this has to be karma for murdering his relative?
  • In The War Machines, the Doctor's companion Dodo required extensive hypnotic de-programming to be free of WOTAN (followed by a rest in the country) and those that were released from its thrall were left dazed, confused and almost total amnesiacs. Despite numerous demonstrations of telepathy, the Tenth Doctor makes no effort to stop Katie muttering "must obey WOTAN" and simply has Martha slap her until she loses consciousness. And sparacus wonders why people think he has a problem when it comes to women...

Over drinks, the group discuss the situation.

  • Some very crude retconning occurs as sparacus makes a half-assed attempt to reconcile the plot. Apparently WOTAN II is a "far more dangerous" version of the computer (despite still being completely immobile, insane, stupid and relying on inefficient and incompetent slaves) and is conducting "genetic and cyborg experiments with a view to producing a new species of human race devoid of all that the machine considers to be imperfections". And why would the "half-baked" (Martha's favorite term for people she hasn't met) Simon Brett do such a stupid thing? Well, it turns out he IS half-baked! "Somewhere in his disturbed mind he has the desire to inflict on himself what his father suffered. He needs to do this to feel closer to his father,” the Doctor rationalizes, yet has never met the man or heard anything beyond the biased testimony of an incoherent drunk suffering bloodloss. Long distance diagnosis treated as gospel fact? Only in the world of Ben Chatham.
  • The Doctor "suspects compassion and emotion" will not be kept by the neo-humans, yet WOTAN and Brett made Graham Norton look sober and anodyne in comparison.

Ben orders everyone to go to bed as it's late and, after getting Jamie drunk on brandy, drags him to Ben's bedroom...

  • A tedious cliffhanger by any standards, as everyone decides to call it a night despite being surrounded by danger and the threat of the world in balance. Even Ben doesn't seem to care about events, as he's not working on raw lust to seduce Jamie. In keeping with the mood of the story, everyone seems totally bored.
  • Katie is left dumped on the sofa, rather than anyone putting her to bed that might give her a good night's sleep or anything theraputic like that. Taking its cue from The War Machines, it seems any woman brainwashed has a miniature nervous breakdown and needs to be written out of the series to recuperate. The next story, the aborted Harvest of Evil, would have Katie falling prey to the Limes Clinic off-screen and then mysteriously disappearing, before being declared dead by the Doctor. Ben for his part, doesn't care if she's alive or dead, just as long as her family don't pester him... but whatever her fate, she would seemingly be lost in the First Great Canon Reset, ultimately being reintroduced as a colleague of Ben in The Zombie Kids of Death (aka Quatermass and the Skins), and the palsied harridan never left him alone since...

PART SEVEN
The Doctor and Martha retire to Uncle Henry's room.

  • Apparently they want to "respect the fact that they are guests in someone's house". They do this by taking the room of the dead owner. How exactly does this show more respect than crashing in the TARDIS like they did earlier.
  • Martha is not remotely concerned that she's taking the bed of a man not dead six hours, far more determined to criticize the unimpressive decor. "This could be a really nice room if someone altered the colourscheme and removed those awful pictures of naked Greeks." So... a devoted medical student like Martha is offended by images of naked human beings? And, given her disgust when it comes to anything male, is this supposed to make us being that Spartha J is actually some psychotic lesbian? This would make her the only gay woman in the Chathamverse...

The Doctor tries to seduce Martha, but fails spectacularly.

  • Yes. You read that right. It seems sparacus was "inspired" by the news that the Doctor and Martha would share a bed in the new series - an understandable hyping of a scene from The Shakespeare Code being taken completely out of context. There, the Doctor and Martha retire (fully-clothed) in a double bedroom provided at the White Elephant Inn, where the Time Lord is completely unaware of any sexual subtext his companion might be finding in the situation... and then kills the mood entirely by talking shop, digressing onto Rose, and going to sleep...
  • Here, however, the Doctor immediately "removes his outer clothes", prompting Martha (and the entire audience) to cry out "Hang on, what the hell are you doing?" and reminding the Time Lord: "You and I stay purely platonic!" Just in case you think Martha's got the wrong end of the stick, the Doctor immediately protests at this lack of the mummy-and-daddy-dance, and storms off in a sulk (prompting Martha to give the famous Spartha J catchphrase "grow up!"). This is not the first time the Tenth Doctor has tried it on with the Jones woman - he spends all of Death in the Cloisters trying to loosen her up, and in (the thankfully-lost) Return to the Orchid House finally gave up trying to get her attentions and sold her to the Blandische family as a sex slave so he could watch her being repeatedly raped.
  • Nevertheless, Martha's not exactly being kind - her plan was to force the Doctor to sleep on the floor with a pillow (but not a blanket), even prior to any hint of nookie. Is this showing respect to the late lamented Henry Chatham? Why is there such a shortage of bedrooms in this place?!

Brett and some cyborgs drive through the mist towards the house.

  • These augmented creatures can't run particularly fast, it appears. Nor navigate through fog. How, exactly, are they supposed to be an improvement on ordinary homo sapiens?

In Ben's room, Ben is seducing Jamie by playing his late uncle's bagpipes.

  • Despite Henry being "fascinated" in Scottish history, and buying a set of pipes ostensibly owned by the Duke of Buckingham from King James, he never showed these precious items to his boyfriend, or even mentioned their presence? The Chatham line clearly prefer their concubines kept ignorant!
  • Speaking of which, this is the last appearance of Jamie in the story. In the following tale, The Harvest of Evil, Ben wants Jamie to move in with him in Cambridge (bullying him into giving up his whole life for Ben seems to be the acid test for a relationship as far as Ben is concerned, yet he never shows interest in those that actually do go through with it, like Katie...). The story was never completed so we never found out Jamie's decision, but it was clear that Ben didn't care as within the hour he was already trying to seduce a complete stranger, and Jamie was completely forgotten.
  • Ben can play Flowers of the Forest on the bagpipes, a skill never before hinted at despite his stated love for them. This goes with the numerous other musical instruments Ben has mastered (ostensibly due to his father's musical background), never used before or since. Obviously Ben never went into the music business because he wanted to get drunk with groupies before all that tedious playing music to chavs bit...
  • Ben's chest is described as "firm", rather than smoothe.

The music of the bagpipes causes the Brett and the attackers to scream in agony before they can storm the house.

  • The Doctor deduces that the frequency of the pipes is "interfering with the frequency of WOTAN's mind-control waves". Why on Earth would a computer use sonic waves to control augmented humans? Especially waves of so normal a frequency they could be interrupted so easily by wind instruments! This is Scotland, more specifically sparacus' idea of Scotland where no man dare walk alone without a haggis, a kilt and a beard! Surely they would have discovered such a weakness a bit earlier! Apart from anything else, in The War Machines, WOTAN brainwashed followers in a single go. Here it needs to continually control its members by radio signals? Mechanized evolution, my arse!

The Doctor urges Ben to keep playing, causing all the cyborgs to die of cerebral haemorraging.

  • So... not only does the Doctor cheerfully request Ben to slaughter people, it seems he's forgotten that he's got a sonic screwdriver. Which works with sound waves and on numerable occasions is used to interfere with mind-control signals and the like (off the top of my head, just in Rose). So, an enemy the Doctor could defeat with a single blast of his molenski univarious... and he needs Ben to do it for him. With bagpipes.

Brett pulls a gun on Ben.

  • Despite screaming in agony like all the others when he heard the pipes, Brett is now "unharmed". Maybe Ben's just really, really bad at playing the pipes...
  • Brett now wants the planet to be "cleansed of the filth of humanity". Even though he, himself, is human. And he was quite happy to just rule the planet an episode ago. No wonder Martha dubs him "unhinged", as sparacus clearly can't be bothered to keep a track on motivations.

The Doctor grabs a vase and smashes it over Brett's head, killing him.

  • Sparacus does so enjoy the Doctor killing people with his bare hands and encouraging violence over communication. The Tenth Doctor's cold-blooded slaughter of a mad man (and his delight at it) was first hinted at in the original Season 2 pitch where the Doctor took sadistic glee in slaughtering innocents "for the greater good", be they space pirates, hippies, mental patients or... most famously... a domestic gerbil Jackie Tyler was looking after. All of this makes it ironic that LBC, sparacus' temporary successor, was so besotted with The Doctor's Daughter that emphasized the Time Lord's pacifistic stance to an incredible degree.
  • So, knowing all about Henry's collection of vases... the Doctor decides to smash them up to commit murder. That's treating the place with respect, isn't it?

Suddenly, UNIT forces arrive in respond to Ben's call and Brigadier Ashton enters the house to speak with the Doctor and Ben.

  • And Brigadier Harry Ashton returns! What do you mean, you have no idea who he is? Well, it transpires that Ashton is a recurring character in the Chathamverse from its earliest days: a clear Lethbridge-Stewart replacement this "brisk man in his forties" (a rather unimgatinative choice compared to the likes of Bambera in Battlefield or Mugambo in Planet of the Dead), he first appeared in Fire & Judgement where he and Ben teamed up to destroy an entire hospital full of innocent people for the greater good, and seemingly became the reason why UNIT give any credit to a word this hormonal drunk ever says. Promoted to "UNIT Commander", Ashton appeared in EarthSpan to once again solve the ongoing plot with the greatest amount of civilian casualties. Ashton would survive the First Great Canon Reset, returning to his roots as a character by nuking innocents in Reptillian Dawn (reverting to Brigadier once more), before (returning to "UNIT Commander") doing it all over again in The Lindig Valley Mystery, and a nameless mention in Winter of the Lost before making a further appearance in Dark Yuletide II: Deadly Yuletide. By the time of the Third Great Canon Reset, this mass-murdering psychopath still is around the place - not only appearing in the film pitch Day of Deliverence (sic), but even guest-starring in sparacus' own rewrite of The Eleventh Hour (now "James" Ashton). In almost every occasion, his dominant trait (apart from massacring passers-by) is to namedrop his "now retired predecessors", and then fawn over the Doctor and Ben. Considering how extras like Kyle, Barry Tuck and Shakey Jake became regulars, it seems the one thing keeping Brigadier Ashton from such achievements is the fact he's completely utterly forgettable - he has thus escaped the fate of Ben's K9 by being so boring no one notices when he returns...
  • What are UNIT doing here? Ben's made "numerous calls" to them, apparently. But when? We never saw him do that and as was established at the start of the story, there is no signal in Stangeness and the lines are down! The only possible answer is that UNIT was already on hand in Stangeness and the "reporters" were actually working for UNIT (much as was seen in The Sontaran Stratagem). Presumably their failure to report in lead to this operation... but why give credit to Ben? Well, Ashton is something of a drooling fanboy when it comes to the smoothe scumbag...

Ashton reveals that his men have stormed the electronics plant and shot WOTAN to pieces, destroying everything with fire.

  • So in this age of wireless technology, there was no attempt to stop the computer from, say, downloading itself onto the internet to start again? Or a psychotic follower to rebuild WOTAN and start the whole damn thing all over again? And WOTAN was unable to mesmirise any of the attackers or in any way defend itself? Oh well, it's in character given how bowel-shatteringly moronic it was on television...
  • Wait. Hang on a second. So UNIT stormed the electronics firm, destroyed WOTAN, and then rushed to the house? So, WOTAN was already destroyed when Brett and pals arrived? Which is when all the cyborgs dropped dead? This rather suggests that the bagpipes had absolutely nothing to do with defeating the cyborgs at all! It was just an incredibly moronic coincidence!
  • Martha deems this "well good". It seems sparacus has got confused and started writing for Ace again, as he often did with Rose.

The Doctor praises Ben for his actions.

  • His actions being "defeating Brett" and "persuading UNIT of the severity of the threat". Except it was the Doctor who killed Brett and Ben clearly had nothing to do with UNIT anyway? It seems in the Chathamverse UNIT's remit is niether homeworld defense nor investigating anything odd or unexplained: unless there's concrete evidence of a full scale alien invasion with lots of people dead already, they just won't get out of bed in the morning. Apparently Ben was able to convince the UNIT hotline, but oddly enough this incredible feat was never actually shown, but simply mentioning the Doctor would be enough to do it.
  • Ben is embarrassed by being called a "hero". As he should be, but he's clearly too embarrassed to miss a chance to be the centre of attention.

The Doctor and the Brigadier immediately pour themselves scotch to toast the non-augmented human race.

  • Sparacus seems to have an obsession with "single malt", given that it is consumed in every single episode.
  • Ashton, of course, is quite happy to drink on duty with civilians.
  • This is a happy ending, is it? Never mind Uncle Henry being murdered, lives being ruined and monsters prowling Scotland, everyone finds the Doctor's rampant alcoholism incredibly amusing and all is well in the world. I'm sorry, Spartha Jones "laughs"? And then drinks inferior booze in the company of puny men? Sparacus was clearly as sick of the story as everyone else and just wanted it over. Who can blame him?

Next Time: The Lords of Ancrazar